The Accountant movie review & film summary 2016

The Accountant movie review & film summary 2016

“My child was diagnosed with autism about six years ago, at least once a week we are asked what his special skill is,” Todd says. Despite its protestations to the contrary, the only thing that sets The Accountant apart from its peers is its irritating, clueless hypocrisy, and its lousy title. “How can you make a financial intrigue thriller more exciting than average? Said kid, watched over by his brother, puts together a jigsaw puzzle not only scarily quick, but also in a VERY novel way.

The viewer is left to wonder why he plays the dangerous games he does. Christian Wolff (Ben Affleck) is a mathematics savant with more affinity for numbers than people. Using a small-town CPA office as a cover, he makes his living as a freelance accountant for dangerous criminal organizations. With a Treasury agent (J.K. Simmons) hot on his heels, Christian takes on a state-of-the-art robotics company as a legitimate client. As Wolff gets closer to the truth about a discrepancy that involves millions of dollars, the body count starts to rise. Different.” This is the ethos by which a school for autistic kids, seen in book-ending scenes, raises its children to function in the neurotypical world.


But instead we get an action movie plot which is drearily rote in its studied insistence on surprise. The narrative is intricately constructed, yet ersatz and shapeless, like a clock with Nerf gears. Christian uses his super math abilities to balance the books for criminal enterprises. He’s being pursued by the treasury department, led by Ray King (JK Simmons) and Marybeth Medina (Cynthia Addai-Robinson), and so decides to take on a legitimate client, a robotics company that has just discovered an irregularity in the books. That’s where he meets Dana, the company accountant who discovered the irregularity.

  • Working with Robert was very stressful and I would not recommend working with this man, especially not his bookkeeping service.
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  • But the movie forgets about them until it’s time to tie up loose ends.

Deadly bad guys who are, an observant viewer will note, subsequently busted by the Treasury Department. Despite his proximity to some of the most dangerous criminals in the known universe, this man of dozens of aliases stays alive. Part of the answer is provided by the recurring flashbacks, in which Wolff’s father (Robert C. Treveiler) provides young Christian with his more militaristic cure, which later manifests itself in sharpshooting and martial arts skills. I admit that it is a novel idea to take a “Rain Man”-type character and also make him into a Lethal Killing Machine, but it’s also in kind of bad taste, something the movie tries to ameliorate by depicting autism with sympathy and some progressive accuracy. Despite the fact that he has oodles of cash and precious art at his disposal, the accountant’s life is a welter of pain, much of it in the form of self-punishment.

The Accountant review – more action-packed than you might expect

Yet, I have to make my own accounts with each state controller, make my own payment (the processing, not financing), and constantly ask tedious questions. Please, do not use this company for your business finances. I know its hard to find an accountant, but this company is not it. Geoff Todd, a writer whose child is autistic, wrote after seeing The Accountant’s trailer about Hollywood’s obsession, from Rain Man on, with autistic people who have amazing abilities.

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I now have found a whole new accountant that does file for me (which is what I want in the first place) but can not believe I paid $4,000 for a company that only does annual paperwork, not even quarterly paperwork. I have complained several times using the same phrase in each call “I did not pay your company to project manage my own taxes”, because that’s this company’s job! They should know the taxes I need to pay and how often I should pay them. I should hand them over my bank routing and they file & pay for what I need to do.

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When a mysterious bad guy, Braxton (Jon Bernthal), pops into the movie, you don’t know what to make of him until the very end, and even then he has no place. Ms. Kendrick’s appearance invites the possibility of a romantic connection with Christian, but the movie, remaining true to its austere, ultramacho, deeply misanthropic ethos doesn’t allow it. It goes very far south, with two plot reveals that are among the most ludicrous that I’ve experienced in quite some time. The worse of the two twists is made genuinely hilarious by the cutaways to Lithgow watching things unfold on his home security cam monitors and looking in disbelief—echoing the likely expressions of the audience. In any event, it certainly DOES succeed in being more “exciting,” say, than 1981’s “Rollover.” But excitement isn’t always positive.

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But the movie forgets about them until it’s time to tie up loose ends. The timeline of “The Accountant” is so arbitrary that the subplots seem shuffled like pieces of an unfinished jigsaw puzzle. Entire back stories were presumably left on the cutting-room floor of this overlong movie that never arrives at a destination. In my experience, Robert was extremely disorganized, non-communicative and unprofessional. As an accountant, he forgot to pay our quarterly estimated tax payments and made several other mistakes in the process of filing our tax return. He routinely forgot to make payments on time to our product supplier which is detrimental my business.

The Accountant

But what are an original Renoir and Jackson Pollock doing in his possession? The art turns out to be payment for his work as a forensic accountant and money launderer hired by drug cartels and mobsters. Once this is revealed, you may anticipate scenes of Christian consorting with international outlaws and leading a glamorous double life. But no — there aren’t any first-class jaunts to exotic foreign capitals, and no scenes of him being wined, dined and entertained by strippers amid piles of cocaine. A pall of sleaze hangs over every character except Ms. Kendrick’s. John Lithgow exudes an air of conspiratorial nastiness as Living Robotics’ founder, and Jeffrey Tambor has a tone of regretful defeat as Christian’s imprisoned mentor.

Did The Accountant win any Oscars?

The Accountant is a 2001 American short comedy film directed by Ray McKinnon. In 2002, it won an Oscar for McKinnon and his wife Lisa Blount for Best Short Subject at the 74th Academy Awards.

As he explains, he has trouble understanding what other people are thinking, he can’t pick up on social cues, he gets deeply absorbed in tasks – especially mathematical tasks – and he panics when he is unable to finish them. As a child (played by Seth Lee), he rocks uncontrollably, throws violent tantrums, wears unsightly glasses, and checks a number of the Hollywood boxes for “geeky” and “different”. Director Gavin O’Connor bows to the unwritten rule that every film about a mathematical savant must include at least one scene in which someone scrawls numbers all over a window. The one variation from Hollywood action default is the relationship with accountant Dana Cummings (Anna Kendrick), which instead follows the Hollywood formula that disabled people don’t get to have happily-ever-after romances.

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